Spotlight Online

Discover a welcoming and supportive space where nonbinary and LGBTQ+ students can share their experiences, express their identities, and find empowerment. Together, we’ll discuss topics like breaking down barriers, increasing awareness of discrimination, and embracing the strength of your unique voice. Let’s build a community of understanding, respect, and pride—because your story matters, and so do you.

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Join the Gender Identity and Sexuality Alliance (GISA) for biweekly meetings on Wednesdays at 4pm in Lane 109 to build and support our LGBTQ+ campus community!

Join CCM and the Catholic Parish of Divine Mercy for weekly adoration and rosary Wednesdays 6-7 PM at Divine Mercy Parish at St. Michael Church, 44 E. Main Street, Frostburg. Take some quiet time with God and let your soul find rest.For more information or transportation contact Sharon at 410-300-4790

The Frostburg State University Chamber Orchestra, under the direction of Peter B. Lewis, is proud to present its program, “Dust Bunnies” on Wednesday, October 8, at 7:30pm in the Pealer Recital Hall of the Woodward D. Pealer Performing Arts Center. The recital is free and open to the public. It will also be livestreamed, click the 'JOIN STREAM' button on this page to join the livestream.A familiar phrase when cleaning around the house, a dust bunny is simply a collection of “stuff”, to that end, the orchestra will be performing a collection of music that does encompass a lot of “stuff”. Beginning with the Second Viennese School, “Six Little Pieces for Piano, Op. 19” by Arnold Schoenberg creates a curious tapestry of sonorities. Originally written for solo piano, the work has been skillfully arranged by music education major, Chassady Redhead.Marc O’Connor, most known for his fiddle playing and collaborations with people like Alison Kraus, Bela Fleck, and Yoyo Ma, has crafted an Appalachian inspired, “String Quartet no. 3 (Old Time)”. The FSU Orchestra will be performing the third movement from this thrilling composition.Rounding out the program are two compositions, one by Brian Balmages entitled, “Phantom Tangos” which merges stylistic nuances of traditional tango music and contemporary compositional techniques, creating a unique blending of musical influences. And finally, a tongue in cheek, lighthearted composition by John Mackey entitled, “Under the Rug”. This work brings the title of the concert program into the light as the music depicts the story of a 1950’s house maker who does battle against the army of dust bunnies around the house. Her weapon of choice, the vacuum of course! Just think, the setting of “Leave it to Beaver” with the humor of “Bugs Bunny” and company.

The Student Government Association's mission is to bridge the gap between students, faculty, staff, and administration, while shaping tomorrow's leaders today! Our General Body Meetings are where that mission comes to life. The agenda typically involves:Swearing in new SenatorsSharing updates on campus initiatives, events, and resourcesVoting on legislationProviding funding to recognized student organizationsAddressing students comments and concerns We invite you to attend our bi-weekly meetings, held Thursdays at 7:00 PM in the Lane Univeristy Center, Atkinson Room, to observe the process in action!

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Men's Swimming 2025-26 Season Opener at Home

Women's Swimming 2025-26 Season Opener at Home

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FSU Department of Music, Theatre, and Dance presents “Groove Music”, a concert by the FSU Wind Ensemble, directed by Peter B. Lewis, on Sunday, October 12, at 3pm in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. Admission is $10 adult; $5 senior, military, FSU faculty & staff; and free for students & children. Tickets are available at the University Box Office, Lane University Center 203 (Hours: Monday-Friday 10 AM - 4 PM), phone 301-687-3137, or online at tickets.frostburg.edu. Tickets will also be available at the door the evening of the concert.The Wind Ensemble will be performing Duarte’s “Equus Alatus” that was inspired by the legend and mythology of Pegasus, Jonathan Newman’s brief bombshell “Blow It Up, Start Again” (described as “riotously funky”), Hazo’s “Arabesque” (kind of Arab-like) based in the mystical sounds of Middle Eastern music, Barker’s “Bamboo Shoots and City Streets” exploring the blend between tradition (represented through the sounds of traditional Japanese music forms) and urbanization (represented through the inclusion of elements of pop, rock, metal, and jazz), William Schuman’s “George Washington Bridge” intended to evoke several images of the bridge from different perspectives, and “Unfurl” by Michael Mikulka that is sincere and expressive, but also packed with band ballad tropes.“Equus Alatus” by Frank Duarte is inspired by the legend and mythology of Pegasus, and depicts the sensation of flying with Pegasus throughout the day, ascending and descending through a limitless sky filled with clouds, then at nighttime, the magical stallion triumphantly transforms into a constellation of stars, forming a beautiful celestial image of its immortality and awaiting its next rider.Samuel R. Hazo’s “Arabesque” is based in the mystical sounds of Middle Eastern music; the title means “kind of Arab-like”. It is composed in three parts each borrowing a few general ideas from Arab music. “Taqasim” (tah’-zeem), meant to sound like an Arabic taqasim or improvisation; “dabka” (dupp-keh), a traditional Arabic line dance performed at celebrations; and “chorale,” a recapitulation of previous mystical themes in the composition, interwoven with a grandeur of a sparkling ending.William Schuman set his “George Washington Bridge: An Impression for Band” in a bridge-like arch form, intended to evoke several images of the bridge from different perspectives, including a sense of the majesty and grace in the first and last sections, sprightly bits of counterpoint in the second and fourth sections that suggest the bustling traffic on the bridge’s two huge decks, and the serenity of the lyric middle section giving an impression of a more distant view of the Bridge set against the vast cityscape.Jonathan Newman’s brief bombshell “Blow It Up, Start Again”, a transcription of the 2011 work for orchestra, was described as “riotously funky” by the “Chicago Tribune”. The score bears this scant description: “If the system isn’t working anymore, then do what Guy Fawkes tried and go anarchist: blow it all up and start again.”Michael Mikulka writes that his original intent for “Unfurl” was as a parody of the standard 21st Century wind band ballad, but he got attached to the melody and felt it sounded too personal and emotional for a parody. Now “Unfurl” is sincere and expressive, but also packed with band ballad tropes.“Bamboo Shoots and City Streets” by Benjamin Barker is an exploration of the blend between tradition and urbanization, inspired by bamboo shoots he saw growing in the middle of the pavement while on a walk with a friend. Barker wondered what it would sound like to tell the story of the resilience and adaptability of these bamboo shoots as they continue to grow and adapt in an ever-urbanizing environment. Tradition is represented through the sounds of traditional Japanese music forms, while urbanization is represented through the inclusion of elements of pop, rock, metal, and jazz.

Bring a game, bring a friend! Or play one of our many board games available. Beginners and experienced players welcome. There is always someone available to teach new players. Common games played include: Ticket to Ride, Red Dragon Inn, Code Names, Werewolves of Miller's Hollow, Bang!, Sushi Go, Trash Pandas, Mysterium, Fin Span, Dog Park

Bring a game, bring a friend! Or play one of our many board games available. Beginners and experienced players welcome. There is always someone available to teach new players. Common games played include: Ticket to Ride, Red Dragon Inn, Code Names, Werewolves of Miller's Hollow, Bang!, Sushi Go, Trash Pandas, Mysterium, Fin Span, Dog Park

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Home Men's Soccer Game

PIANIST MATTHEW PALUMBO IN GUEST ARTIST RECITALFrostburg State University’s Department of Music, Theatre, & Dance presents pianist Matthew Palumbo in a Guest Artist Series concert on Wednesday, October 15, at 7:30 pm in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. The concert is free and open to the public. If you cannot attend in-person, it will also be livestreamed, click the red 'Join Stream' button on this page to view the live performance.Mr. Palumbo will be performing Bach’s rhapsodic and adventurous “Chromatic Fantasy and Fugue, BWV 903”; Beethoven’s early masterpiece, the “Sonata Op. 10, No. 3 in D major”; and Alexander Scriabin’s epic “Sonata Op. 23 “States of the Soul””.Accomplished pianist and teacher, Matthew J. Palumbo made his solo debut with the Seattle Philharmonic Orchestra at age thirteen as the winner of the Seattle Young Artists Music Festival. He performed across the United States and Europe in venues such as Carnegie Hall, Benaroya Hall, Friedberg Hall, and in 2015 was the Maryland Artist representative for the Music Teachers National Association where he performed more locally in Strathmore, Goodwin, Griswald, Katzen, Peters, Linehan, numerous others, and appeared on concert series such as First and Franklin, Cathedral Concert Series, Sound and Serenity, An Die Musik, Prince George’s Artist Series, and others.Mr. Palumbo is in high demand as a teacher, judge, adjudicator, and master clinician throughout the Baltimore-D.C. Metro region. Most recently, he has been a judge for the E. R. Davis, Hartman, Doris Chase, and Gottlieb competitions, and is currently the chairperson for the MTAGB Collegiate Scholarship competition in coordination with Steinway and Sons. He’s an active board member of the Maryland State Music Teachers Association, an associate professor at College of Baltimore County, and was co-director and faculty at the Leon Fleisher Academy in 2022. His students have received numerous awards and have been accepted with highest scholarships to Peabody, University of Maryland, Towson, Howard, Susquehanna, and others, and performed in venues such as Weill Hall, and the Kennedy Center.

Astronomy Club Meeting

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