Wind Studios Recital

FSU’s Department of Music Presents Dr. Mark Gallagher in Faculty Artist Series ConcertFrostburg State University’s Department of Music will present clarinetist Dr. Mark Gallagher in a Faculty Artist Series concert on Sunday, Dec. 1, at 7 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. He will be accompanied by pianist Dr. Jay DeWire. The concert is free and open to the public. This event will also be livestreamed; click the “Join Stream” button on this page a few minutes before the recital is scheduled to begin, or any time during the recital, to view the live performance.The program will consist of “Allegro,” “Adagio cantabile” and “Rondo, Allegretto non troppo” from “Sonata No. 3 in E-flat Major for Clarinet and Piano” by Francois Devienne; “Variations for Clarinet and Piano on a Theme From ‘Silvanna,’ Op. 33” by Carl Maria von Weber; “Sonatina for Solo Clarinet, Op. 27” by Miklos Rozsa; and “Allegro appassionato,” “Andante un poco Adagio,” “Allegretto grazioso” and “Vivace” from “Sonata No. 1 in F Minor for Clarinet and Piano, Op. 120, No. 1” by Johannes Brahms.Although Devienne’s principal instruments were the flute and the bassoon, he became familiar with the clarinet early in his career. Fascinated by the romanticism of his time, Devienne saw ample opportunities for expression through the clarinet’s impressive spectrum of range and dynamic. His sonatas for the clarinet, originally titled “Sonates pour clarinette et accompagnement de basse,” are adapted from his own flute sonatas, Opp. 58 and 68. The clarinet sonatas display Devienne’s great ease of writing as well as his uniquely creative melodic lines. They encompass all forms and styles available in his time, ranging from the older, more structured Baroque style of sonata to the more flexible and improvisatory form of theme and variations and represent the unrivaled charm and elegance of classical sonatas for the clarinet.Weber’s compositions for clarinet, bassoon and horn occupy an important place in the musical repertoire. His compositions for the clarinet, which include two concertos, a concertino, a quintet, a duo concertante and “Variations for Clarinet and Piano on a Theme” (1811) from his mature opera “Silvana” (1810), are regularly performed today. “Silvana” had a major impact on subsequent German composers, including Marschner, Meyerbeer and Wagner.“Sonatina for Solo Clarinet” (1957) is an expressive, vibrant piece of music that demonstrates the versatility and expressive qualities of the clarinet. Rozsa was an incredibly versatile composer – for his film scores he won three Academy Awards and was nominated 16 times for Best Original Score. Rozsa’s experience of growing up in Hungary and hearing lots of beautiful unaccompanied folk music inspired him to explore writing several unaccompanied solos for different instruments. The “Sonatina for Solo Clarinet” is comprised of two movements. The first is a theme and variations movement that is full of beautiful passages of intense lyricism and lively rhythmic sections. The second is a fiery, dancing, virtuosic and playful movement that propels to a thrilling conclusion.In 1894 at age 61, Brahms wrote a pair of clarinet-piano sonatas. They were published together in 1895 as opus 120. The two clarinet sonatas of opus 120 were the last chamber pieces Brahms wrote before his death. They are considered two of the masterpieces in the clarinet repertoire. A model of classical form, “Sonata No. 1 in F Minor” is in four movements, the piano and clarinet presented in dialog as equals. The prevailing mood of the first movement is melancholic, the second a quiet, reflective lyricism and the third, grace. A vivace in rondo form in F major ends the work.For more information, contact FSU’s Department of Music at 301-687-4109.

CES at FSU Presents Cherish the Ladies in “Celtic Christmas”The Cultural Events Series at Frostburg State University will present legendary Irish music ensemble Cherish the Ladies in “Celtic Christmas,” a Yuletide celebration of traditional Celtic music and dance on Tuesday, Dec. 3, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center.One of the planet’s most heralded Irish music ensembles, Cherish the Ladies has shared timeless traditions with audiences worldwide for nearly 40 years. With “Celtic Christmas,” they put their signature mark on such classic carols as “O Come All Ye Faithful” and “Silent Night” in arrangements that highlight the group’s unique Celtic instrumentation, beautiful harmonies and spectacular step dancing. Hailed by The New York Times as “passionate, tender and rambunctious,” Cherish the Ladies has released three critically acclaimed holiday albums – “On Christmas Night,” “A Star in the East” and “Christmas In Ireland.”Formed in 1985 to celebrate the rise of women in what had traditionally been a male-dominated scene, the Grammy-nominated Irish American super group has since won the hearts of audiences worldwide with a rousing blend of traditional Irish music, captivating vocals and propulsive step dancing. The Boston Globe pronounced, “It is simply impossible to imagine an audience that wouldn’t enjoy what they do.”Since their inception, they have toured the world, performed in prominent performing arts centers, appeared at the White House and the Olympics, recorded 18 critically acclaimed albums, shared the stage with leading symphony orchestras and filmed an Emmy Award-winning PBS television program, “An Irish Homecoming.”Under the leadership of the National Endowment for the Arts National Heritage Award winner, the irrepressible champion flute and whistle player Joanie Madden, Cherish the Ladies never fails to enrapture audiences. With their unmistakable sound and unparalleled artistry, the group continues to leave a lasting impression on all who have the pleasure of experiencing their captivating performances.Performance tickets are $38 for adults; $34.20 for FSU employees, members of the military and youth; and free for FSU students.For more information, visit ces.frostburg.edu or call 301-687-3137.To celebrate the artists’ visit, Frostburg Dining Services will present a teaching kitchen in FSU’s Chesapeake Dining Hall on Thursday, Nov. 21, at 6 p.m. Using fresh, whole ingredients, participants will work in pairs as they learn to make traditional Irish fare. Attendance is limited and reservations are required. Tickets are $30 per person and may be purchased by contacting the University box office.CES is supported in part by the Maryland State Arts Council (msac.org) and receives financial support from the Allegany Arts Council and the City of Frostburg.

FSU’s Department of Music Presents Chamber String Orchestra ConcertFrostburg State University’s Department of Music will present its Chamber String Orchestra, conducted by Peter B. Lewis, in its recital on Wednesday, Dec. 4, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. The concert will also feature pianist Dr. Joseph Yungen in “Piano Concerto No.27 in B-flat Major, K. 595” by Wolfgang Amadeus Mozart. This event is free and open to the public. The concert will be livestreamed; click the “Join Stream” button on this page a few minutes before the recital is scheduled to begin, or any time during the recital, to view the live performance.String orchestra personnel for the various sections are as follows: violin 1 – Chassady Redhead, Leah Boggs and Sophia Zhang; violin 2 – Sydney Hector, Taylor Bryan, Janet Fogle and Kate Fogle; viola – Evie Shanholtz and Kathryn Schram; cello – Rebecca O’Rourke and Emily Xu; bass – Lewis; flute – Courtney Sechler and Ny’Lah Green; bassoon – Joe McDaniel and Dr. Brent Weber; French horn – Daniel Coughenour and Sam White; and timpani – Jacob Deaver.The program will include the finale from “Symphony No.9 in E Minor, Op. 95, ‘From the New World’” by Antonín Dvořák, arranged by Evie Shanholtz; “Introit for Strings, Op. 96” by Vincent Persichetti; Mozart’s “Piano Concerto No. 27”; and “Hoe Down” by Aaron Copland.It was during the American chapter in his life from 1892 to 1895 that Dvořák composed his “Symphony No. 9,” and Dvořák stated that the symphony’s American provenance would be obvious “to anyone who ‘had a nose.’” The finale provides a summation of the entire composition, for in addition to its own ideas, it also recalls themes from preceding movements. These recollections tie the symphony’s disparate episodes into a coherent unity and provide, in the final minutes of the piece, a comprehensive and exciting conclusion.An introit is a piece or music or song that is typically performed at the beginning of a worship service, and Persichetti’s “Introit for Strings” (1965) is set in a very hymn-like manner while allowing the listener to experience Persichetti’s unique compositional language. The music floats, creating a sonic tapestry that colors the air with a masterful blending of 12-tone serialism and traditional harmonic techniques.“Piano Concerto No. 27” (1791) was not only Mozart’s last piano concerto but also the last piece he performed in public. Some have said that this work was Mozart’s farewell, but such attribution relies heavily on hindsight. It is very possible that Mozart was entering a new phase and style, which would be cut short. Some of those new elements exist in this piece. In the first movement, “Allegro,” the harmonic explorations and deftness forecast new musical horizons. The second movement, “Larghetto,” moves into radiant melancholy. The last movement, “Allegro,” is a rondo that includes two cadenzas. Its main theme is friendly, free, happy and endlessly beguiling.Aaron Copland's ballet “Rodeo” (1942) is a celebration of the American West. The ballet’s scenario takes place at Burnt Ranch, where a Cowgirl finds herself competing with visiting city girls for the attention of the local cowboys, especially the Head Wrangler. “Hoe Down” begins with dynamism and verve, signaling the Cowgirl’s rebirth; she has suddenly put aside her cowpoke duds and reappeared as the prettiest girl in the room. Copland borrows two square dance tunes to aid in this romp, a fanciful and uplifting take on the American square dance. There is a typical Hollywood Western ending, too, as the girl gets the right guy for her, not the aloof and snooty Head Wrangler, but Another Cowboy who has shown her respect, kindness and honor.For more information, contact FSU’s Department of Music at 301-687-4109.

FSU’s Department of Music Presents Dr. Mackenzie Jacob LaMont in Faculty Artist Series Concert, “listen”Frostburg State University’s Department of Music will present percussionist Dr. Mackenzie Jacob LaMont in a Faculty Artist Series concert, titled “listen,” on Friday, Dec. 6, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. This event is free and open to the public. Due to the unique nature of the performance, it will not be livestreamed.LaMont is an active composer, performer (percussion), music educator and music industry/audio recording specialist. His recent compositions have been focused on the environment as well as political and philosophical issues, with the sound world inhabiting a space somewhere between minimalism and post-progressive rock (with dashes of polystylism here and there). LaMont has a doctorate in music composition with a cognate in percussion from the University of Cincinnati, College-Conservatory of Music where he studied composition with Michael Fiday, Joel Hoffman and Douglas Knehans, and percussion with James Culley and Allen Otte. He holds prior degrees in composition, percussion performance and music technology/recording, and previously studied composition and percussion at the University of Indianapolis with John Berners and Paul Berns, respectively. He is an assistant professor at FSU, where he teaches percussion lessons and ensemble, composition lessons and courses, and various courses within the music industry track.For more information, contact FSU’s Department of Music at 301-687-4109.

FSU’s Department of Music Presents Brass Ensemble and Wind Ensemble in Joint ConcertFrostburg State University’s Department of Music will present its Brass Ensemble in “The Antiphonal Music of Gabrieli” and its Brass Ensemble in concert on Saturday, Dec. 7, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center.Directed by Dr. Donny Albrecht, the Brass Ensemble consists of Daniel Coughenour on the horn; Alex Frye on trombone; Patrick Godfrey, Martin Harden and Morgan Tichnell on trumpets; Jacob Hunt on percussion; Douglas Holtz on the tuba; and Zachary Inglish on bass trombone.Featuring classic repertoire for symphonic brass ensemble, the program will include the following selection by Giovanni Gabrieli: “Canzon Seconda a Quattro,” arranged by Raymond Horton; “Canzon per Sonare,” arranged by Michael Rondeau; “Canzon VI” from “Sonata e Canzoni,” arranged by Mike Magatagan; and “Sacre Symphonia,” arranged by Serban Nichifor. In addition, the ensemble will play “Triumphal March” by Giuseppe Verdi, arranged by Clair W. Johnson, and “Fanfare for the Common Man” by Arron Copland.Giovanni Gabrieli (1554-1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms.The canzonas originated as arrangements of chansons – a type of French polyphonic songs. Gradually the canzonas became independent of their chanson models, and those published by Giovanni were all original compositions. These pieces were played during the epistle and post-Communion of a church service. “Canzon Secunda a Quattro” (“Second Song for 4”) is one of four canzoni by Gabrieli in the 1608 anthology “Canzoni per sonare” (“Songs to Play”). The anthology helped pave the way for the Baroque concerto style.After 1587 Giovanni’s principal publications were the two immense “Sacrae symphoniae” of 1597 and 1615 (printed posthumously), both of which contained purely instrumental music for church use or massive choral and instrumental motets for the liturgy. He usually conceived the music for separated choirs but showed an increasing tendency to specify which instruments were to be used and which choirs were to consist of soloists and full choir, as well as to distinguish the musical style of each, thus initiating a completely new approach to the creation of musical color and orchestration.Many composers have written a triumphal march, with maybe the best known one being by Italian composer Verdi for his 1871 grand opera, “Aida,” where, in the second act, Radames leads the Egyptian army on its return following their victory over the Ethiopians.Copland composed “Fanfare for the Common Man” in 1942 for the Cincinnati Symphony Orchestra. It was inspired in part by a speech made earlier that year by then American Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the “Century of the Common Man.”The Wind Ensemble, conducted by Peter B. Lewis, will perform “Give Us This Day” by David Maslanka, “X” by Daniel Montoya, “William Byrd Suite” by Gordon Jacob, “March” from “Symphonic Metamorphosis” by Paul Hindemith and “Bugler’s Holiday” by Leroy Anderson.“Give Us This Day” (2005) is in two movements, moderately slow and very fast. The music feels symphonic, hence the subtitle, “Short Symphony.” The first movement is deeply searching in character, while the second is highly energized. The words, “give us this day,” from the Lord’s Prayer, touch the idea of being immediately and vividly alive in the moment, the reason why music making can be so vital and compelling.A playful and spirited romp, Montoya’s “X” (2013) is an essay in abstraction. It is, from a fundamental perspective, absolute music. Freely exploring the notion of the influence of others’ music on his own, Montoya summons forth the voice of nine other composers besides himself (totaling 10, numerically represented by the Roman “X”) with hidden references woven into the tapestry of sound.Jacob’s “William Byrd Suite” is one of 400 pieces completed by the prolific composer. It was composed in 1923 to honor the 300th anniversary of Byrd’s death (c. 1623). A pupil of Thomas Tallis, Byrd excelled at writing secular and sacred polyphonic choral and keyboard music in the 16th and 17th centuries.“Symphonic Metamorphosis of Themes by Carl Maria von Weber” is an orchestral work written by German composer Hindemith in 1943. The fourth movement, the march finale, is from Weber’s Op. 60 duets, much expanded. The horn calls implicit in Weber’s trio section are made explicit in Hindemith’s version, and become the basis of the requisite big finish.For “Bugler's Holiday” (1954) composer Anderson, who worked in military intelligence during WWII and the Korean War, said he wanted to imagine what three military buglers would do on their day off. “You’ll hear some bugle calls that may sound familiar,” he said, “but you’ll probably realize that they are not played regulation and they wouldn’t get away with it on post.”Admission is $10 for adults; $5 for seniors, members of the military, and FSU faculty and staff; and free for students and children. Tickets can be purchased at tickets.frostburg.edu. Tickets will also be available for purchase at the door.For more information, contact FSU’s Department of Music at 301-687-4109.