Are you ready for Wild N In? We've teamed up with your favorite faces and campus organizations to bring you an unforgettable event packed with joy and laughter!Get ready for special performances, exciting games, and non-stop entertainment throughout the show. You don't want to miss out on the action, so make sure you save the date, and spread the word!Free tickets are available now, so grab yours before they're gone.

FSU’s Department of Music Presents Winter Choral Concert, “Fin de siècle”Frostburg State University’s Department of Music will present its Winter Choral Concert, “Fin de siècle,” on Saturday, Nov. 16, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. Join the FSU Chamber Singers, University Chorale and Troubadours Tenor-Bass Choir, under the direction of Dr. Scott Rieker and accompanied by pianist Dr. Joseph Yungen, for an evening of exceptional choral music.The end of a century almost invariably produces remarkable output in the arts, especially music. While “fin de siècle” denotes a specific epoch, this wide-ranging concert explores the repertoire around the ends of various centuries, from the 16th to the 20th. The evening will feature compositions by Wolfgang Amadeus Mozart, Lili Boulanger and Darius Milhaud, as well as the first song known to have been written down in the Western Hemisphere.Tickets are $10 for adults; $5 for members of the military, seniors and FSU faculty and staff; and free for students and children. Tickets can be purchased at tickets.frostburg.edu. Tickets will also be available for purchase at the door.For more information, contact FSU’s Department of Music at 301-687-4109.

FSU’s Department of Music Presents Dr. Colin Johnson in a Faculty Artist Series ConcertFrostburg State University’s Department of Music will present bass-baritone Dr. Colin Johnson in a Faculty Artist Series Concert, “A Life in Dreams,” on Sunday, Nov. 17, at 3 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center. He will be accompanied by pianist Dr. Jay DeWire. The concert will be livestreamed; the link will be posted at www.frostburg.edu/concerts.The program for “A Life in Dreams,” a music exploration holding on to a vision that once was, will include “Miei rampolli femminini” from “La Cenerentola” by Giaochino Rossini; “Wohl denk ich oft an mein vergangenes Leben,” “Alles endet, was entsteht” and “Fühlt meine Seele das ersehnte Licht” from “Drei Gedichte von Michelangelo” by Hugo Wolf; and “Brighter Than Bright,” “Ah, Herté Mine,” “Credo,” “Pleasures,” “Impossibilities,” “A Frog in the Frost,” “My Expected Heaven,” “Immortality” and “From Italy” from “Your John Keats” by Debra Lynn.“La Cenerentola, ossia La bontà in trionfo” (“Cinderella, or Goodness Triumphant”) is an operatic dramma giocoso in two acts by Rossini that was first performed in 1817. In this variation of the fairy tale, the wicked stepmother is replaced by a stepfather, Don Magnifico. The noted aria, “Miei rampolli femminini” is performed by Don Magnifico in Act 1.Wolf wrote “Drei Gedichte von Michelangelo” in 1897, when his health was failing, so in a sense they are his own “letzte Lieder.” In “Wohl denk ich oft an mein vergangenes Leben,” the poet compares past to present, Now, he’s praised by the world, but fame has come at a price. The last line ruses with a Wolfian flourish, but laced with bitterness. A slow, penitential introduction leads into “Alles endet, was entstehet.” The meaning of the song is that if one phase draws to an end, life goes on. The text Wolf uses in “Fühlt meine Seele das ersehnte Licht” refers to earthly love. As the vocal part ends, the piano part continues, suggesting a kind of afterglow.“Your John Keats” (2017) is a nine-movement song cycle for baritone with piano that includes letter excerpts from English Romantic poet John Keats to Fanny Brawne (his fiancée) throughout their two-year relationship, during which Keats became ill with tuberculosis and was sent to Rome (for the warmer climate) where he died. “Brighter Than Bright” conveys the apprehensive passion of new love. “Ah Herté Mine” explores the mysterious fragility of “deep” love. “Credo” is a passacaglia (a slow tune written over a repeating bass figure). “Pleasures” begins and ends with a lilting expression of utter joy and delight. The turbulent movement “Impossibilities” describes the symptoms Keats experienced when first falling ill. “A Frog in a Frost” has a charming presentation, but the undercurrent reflects Keats’ physically weakened state after becoming ill. Much of the melodic material in “My Expected Heaven” is borrowed from the mating call of a male robin. The vertical piano chords on each beat represent bars on a birdcage (the illness holding Keats captive, and separating him from Fanny). “Immortality” expresses Keats’ fury and frustration with the inability to will himself toward better health. “From Italy” opens and closes with a low descending piano figure, a ritornello of sorts representing Keats’ body shutting down.Johnson serves as a lecturer in voice at York College of Pennsylvania and FSU. In addition, he gives private voice lessons in a variety of genres, including classical and contemporary commercial music. As a performer, he has been heard in many opera houses and theatres across the country as well as in Germany and Italy. His research interests include applying motor learning strategies to the singing voice studio as well as vocal tract acoustics. Johnson has presented research on motor learning feedback in the singing voice studio at the Voice Symposium in Philadelphia and at the Pan American Vocology Symposium. He also is a member of the National Association of Teachers of Singing and the Pan American Vocology Association.For more information, contact FSU’s Department of Music at 301-687-4109.

FSU’s Department of Music Presents Evening of Jazz Concert, “The Monster and the Flower – A Study in Latin Jazz”Frostburg State University’s Department of Music will present its Evening of Jazz Concert, “The Monster and the Flower – A Study in Latin Jazz,” featuring the FSU Jazz Orchestra, directed Dr. Brent Weber, on Friday, Nov. 22, at 7:30 p.m. in the Pealer Recital Hall of FSU’s Woodward D. Pealer Performing Arts Center.Performers are vocalist Mack Taylor; section leader Gabe Hicks, Hailey Beining, Gwen Fazenbaker, Vincent Hangarter, Luis Hernandez, Lucas Lusby and Andre Perras on reeds; section leader Patrick Godfrey, Martin (MJ) Harden and Stephen Hess on trumpets; section leader Alex Frye, Connor Curtis, Doug Holtz, Zach Inglish (bass) and Jerimiah Twigg on trombones; and rhythm section members Nick Mellen on guitar Taylor Bryan on piano, Brandon Little on bass, Daniel Hicks on drum set and Jacob Deaver on percussion.The program consists of “Mokopuni Magic” by Mark Taylor; “Softly, as in a Morning Sunrise” by Oscar Hammerstein and Sigmund Romberg, arranged by Dave Rivello; “Besame Mucho” by Consuelo Velasquez, arranged by Roger Ingrahm; “The Monster and the Flower” by Claudio Roditi and Ricard Silveira, arranged by Darmon Meader; “Coconut Champagne” by Denis DiBlasio, arranged by Bob Lowen; “Chu Cho” by Paquito D’Rivera, transposed by Miles Collins; “This I Dig of You” by Hank Mobley, arranged by Mike Tomaro; “La Fiesta” by Chick Corea, arranged by Michael Phillip Mossman; “Feeling Good” by Anthony Newley and Leslie Bricusse, arranged by Matt Amy; and “Tiger of San Pedro” by John LaBarbera.Reminiscent of the music Taylor wrote for the Stan Kenton Orchestra, the fiery showpiece “Mokopuni Magic” features a churning Afro-Cuban groove alternating with sections in swing.“Softly, as in a Morning Sunrise” is a song from the 1928 operetta “The New Moon.” One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love.“Bésame Mucho” (“Kiss Me a Lot”) was written in 1941 by Velasquez, who was about 15 years old at the time, in bolero style. Inspired by the “Nightingale Aria” from the opera “Goyescas” by Enrique Granados, she said that she had never been kissed when she wrote the song.“The Monster and the Flower” is a song associated with multiple artists and arrangements. The original version was released in 1986 by Paquito D’Rivera Explosion.In a Latin/calypso style, the appealing chart “Coconut Champagne” features crisp ensemble writing and a drum solo. “Chu Cho” is a wonderful Latin number D’Rivera wrote for Mario Bauza and his Afro-Cuan Orchestra.“This I Dig of You” is from “Soul Station,” an album American jazz saxophonist Mobley recorded in 1960. It’s an up-tempo hard bop vehicle full of slash chords and a Latin pedal/swing head.Corea recorded “La Fiesta” on “Return to Forever,” a jazz fusion album, in 1972.“Feeling Good” (also known as “Feelin’ Good”) is a song written by Newley and Bricusse for the musical “The Roar of the Greasepaint – The Smell of the Crowd.” It was first performed on stage in 1964.“Tiger of San Pedro” is a jazz song by LaBarbera, made popular by trombonist Bill Watrous. It was the title song of the Grammy-nominated Columbia recording “Tiger of San Pedro” by Watrous’ band, The Manhattan Wildlife Refuge.Admission is $10 for adults; $5 for seniors, members of the military, and FSU faculty and staff; and free for students and children. Tickets can be purchased at tickets.frostburg.edu. Tickets will also be available for purchase at the door.For more information, contact FSU’s Department of Music at 301-687-4109.

A Yuletide Celebration of Celtic Music and DanceOne of the planet’s most heralded Irish music ensembles, Cherish the Ladies has shared timeless Celtic traditions with audiences worldwide for nearly 40 years. With Celtic Christmas, they put their signature mark on such classic carols as “O Come All Ye Faithful” and “Silent Night” in arrangements that highlight the group’s unique Celtic instrumentation, beautiful harmonies and spectacular step dancing. Hailed by The New York Times as “passionate, tender and rambunctious,” Cherish the Ladies has released three critically acclaimed holiday albums, On Christmas Night, A Star in the East and Christmas In Ireland.Formed in 1985 to celebrate the rise of women in what had traditionally been a male-dominated scene, the Grammy-nominated Irish American super group has since won the hearts of audiences worldwide with a rousing blend of traditional Irish music, captivating vocals and propulsive step dancing. The Boston Globe pronounced, “It is simply impossible to imagine an audience that wouldn’t enjoy what they do.”Since their inception, they have toured the world, performed in prominent performing arts centers, appeared at the White House and the Olympics, recorded 18 critically acclaimed albums, shared the stage with leading symphony orchestras and filmed an Emmy Award-winning PBS television program, An Irish Homecoming.Under the leadership of the National Endowment for the Arts National Heritage Award winner, the irrepressible champion flute and whistle player Joanie Madden, Cherish the Ladies never fails to enrapture audiences. With their unmistakable sound and unparalleled artistry, the group continues to leave a lasting impression on all who have the pleasure of experiencing their captivating performances.CES is supported in part by a grant from the Maryland State Arts Council, and receives financial support from the Allegany Arts Council and the City of Frostburg.

A Romantic Evening of Symphonic MasterworksFanny Mendelssohn Hensel | Overture in C Major Camille Saint-Saëns | Piano Concerto No. 2 in G Minor Florence Price | Symphony No. 3 in C MinorCelebrate Valentine’s Day with an exquisite concert of three classical masterworks, including Fanny Mendelssohn Hensel’s sparkling Overture in C; Florence Price’s soul-stirring Symphony No. 3, which honors the richness of African American musical heritage; and Camille Saint-Saens’ exuberant Piano Concerto No. 2, featuring Juilliard-educated soloist Chaeyoung Park.Prior to the performance, at 6:30 PM, ticket holders are invited to join MSO Music Director Elizabeth Schulze in the Recital Hal to discuss the works that will be performed during the evening’s concert. Gain insight on Romantic-era composers Fanny Mendelssohn Hensel and Camille Saint-Saëns and pioneering 20th-century composer Florence Price, who was the first African American woman to have been recognized as a symphonic composer and the first to compose for a major American orchestra.Since its founding in 1982, the Maryland Symphony Orchestra’s influence and reputation have reached far beyond Western Maryland. Under the baton of Elizabeth Schulze, who was declared by The Washington Post to be “a superb conductor,” MSO has become a first-class orchestra of exceptional artistic quality.The presentation of the Maryland Symphony Orchestra is supported by the Community Trust Foundation’s Iris and Peter Halmos Community Fund and by the FSU Foundation.CES is supported in part by a grant from the Maryland State Arts Council, and receives financial support from the Allegany Arts Council and the City of Frostburg.

A Heartfelt Journey of Friendship from Bengal to BroadwayPack your trunk for a jumbo journey with Jenny the elephant! Watch in wonder as this puppet pachyderm grows from tot to teen to towering adult in an unforgettable tale of enduring friendship.Inspired by true events, this moving story of love, belonging and what it means to be “home” comes to life through large-scale “Warhorse”-style puppetry – including a baby elephant, a young adult elephant, a fully grown adult elephant and a tiger – original music, authentic dance and magical illusion. During its fall 2023 presentation by New York’s legendary New Victory Theater, The New York Times named it a Critic’s Pick, stating, “This alluring spectacle ... which aims to dazzle audiences age 8 and older, makes powerful statements about the rights of both animals and human beings.”Founded in 2001 and based in Belfast, Northern Ireland, Cahoots NI creates theatrical magic with a distinctive, innovative style that combines magic and illusion, large-scale puppetry, physical theatre and original music and choreography. Their bold, original productions are designed to inspire a sense of wonder, unlock imaginations and nurture a love of the arts in children.Immediately after the performance, Chuck Dicken, station director of FSU’s National Public Radio affiliate station WFWM-FM joins the artists for a lively conversation with audience members. Meet the artists of Northern Ireland’s Cahoots NI and hear behind-the-scenes tales about the creation of The Vanishing Elephant.The Vanishing Elephant is supported by Culture Ireland and the Arts Council of Northern Ireland and presented in partnership with Belfast International Arts Festival with support from British Council NI.CES is supported in part by a grant from the Maryland State Arts Council, and receives financial support from the Allegany Arts Council and the City of Frostburg.

New Orleans-Style Street Beats, Jazz and BluesExperience the rollicking excitement of blues, funk, jazz, shuffles and New Orleans-style street beats with charismatic jazz trumpeter, vocalist and composer Jumaane Smith, whose original compositions and spirited renditions of nostalgic standards like “When You’re Smiling,” “St. James Infirmary” and “You’re Nobody Until Somebody Loves You” will fill the historic Palace Theatre to create an intimate evening of exhilarating entertainment.Mentored by the legendary Wynton Marsalis during his years as a Juilliard scholarship student, Smith subsequently toured and recorded with Michael Bublé for nearly two decades, was a member of Harry Connick Jr.’s house band and worked with musical legends like Quincy Jones, Herbie Hancock, Aretha Franklin, Christian McBride, Kamasi Washington, Alicia Keys and Jon Batiste. He has performed on five Grammy-winning records, in two Emmy Award-nominated TV performances, at the Grammy Awards with Stevie Wonder, in Steven Spielberg’s West Side Story and at world-class music venues, including Jazz at Lincoln Center, the Vail Jazz Festival, the Hollywood Bowl and Joe’s Pub.Immediately after the performance, Chuck Dicken, station director of FSU’s National Public Radio affiliate station WFWM-FM joins the artists for a lively conversation with audience members. Discover details about Jumanne Smith’s career as a professional musician, composer and bandleader and his work with legends like Wynton Marsalis, Michael Bublé and Harry Connick, Jr.This engagement of Jumaane Smith is made possible through the Jazz Touring Network program of Mid Atlantic Arts with support from the National Endowment for the Arts.CES is supported in part by a grant from the Maryland State Arts Council, and receives financial support from the Allegany Arts Council and the City of Frostburg.